They grew up with very different lifestyles which greatly affected the way they as individuals viewed the world and wrote about it.
In the forests of the night What immortal hand or eye Could frame thy fearful symmetry The initial verse refers to tyger, imploring about its beauty and creator.
As the poem leads on gradually, the poem clearly makes it a point to discuss God as an entity as opposed to the tyger.
The central question as the reader slowly realizes pertains existence of God. Slowly, William Blake attacks the Christian God as he asks whether a divine entity is capable of creating such a mesmerizing creature with perfection definitions and extraordinaire beauty.
Whether he deems God impotent of creating such a four-legged creature is left open-ended to the reader. Fearful symmetry is a nuanced trait which has dual allusions, one for the tyger and the other referring to divine deity.
As apparent, the sublime characteristic refers to an entity extremely big and powerful yet mysterious. As a result, the poet starts off with poetic allusions, entirely open-ended for the reader to perceive as he pleases.
He slowly arrives at the question as how would a God be when he hath created such a scary creature walking freely in the jungle. In what distant deep or skies Burnt the fire of thine eyes?
On what wings dare he aspire? What the hand dare seize the fire?
The poet adds to the fiery image of Tyger by using the metaphor of burning from first verse. The third line throws the reader off track. William Blake is slowly coming to the point of his argument, God. These words have been reiterated from above.
And what shoulder, and what art Could twist the sinews of thy heart? And when they heart began to beat, What dead hand? And what dread feet?
The poet in this stanza discusses the physical characteristics of the almighty creator, contemplating about his various physical features. In what furnace was thy brain? What dead grasp Dare its deadly terrors clasp This stanza questions the steps involved in creation of the all-mighty jungle creature, the tyger.
An allegorical reference to blacksmith, he hypothesizes some intelligent creator developing his creation akin to a blacksmith as he cuts, hammers and forms metal after considerable toil. The stanza is steeped in rhythmic poetry, adding flair and color.
As apparent, the poet is getting impatient and embarks on questioning the faith and its overalls. When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see? Did he who made the lamb make thee? He refers to all-mighty creator looking with reverence at his finalized creation.
This stanza is purely Christian by all means. The former is an open reference to Jesus Christ the Lamb of Godsent by God on earth to atone sins of mankind.Poems from different poets all around the world.
Thousands of poems, quotes and poets. Search for poems and poets using the Poetry Search Engine. Quotes from all famous poets. William Blake's () "London" written in is a devastating portrait of a society in which all souls and bodies were trapped, exploited and kaja-net.com poem is a devastating and concise.
+ free ebooks online. Did you know that you can help us produce ebooks by proof-reading just one page a day? Go to: Distributed Proofreaders. Compare and contrast Blake and Wordsworth's view of London William Wordsworth and William Blake both wrote popular poems about London, but their views of it were very different, this could be because of the way they grew up.
Comparing Blake and Wordsworth William Blake and William Wordsworth were two of the most influential of all of the romantic writers, although neither was fully appreciated until years after his death. “The School Boy” is a poem included in William Blake’s collection Songs of kaja-net.com is told from the perspective of a young boy going to school on a summer day.